Real world influence
In the world directors are
influenced by other films that an director has produces for example, nearly all
the directors based their on their
community , lyrics or on true story. Also directors are influences by the
techniques and the story behind it. For instance, the D.W Griffiths created community
editing and other directors such as Taranto and Nolen uses some of his
techniques and Eisenstein created montage to make you think, and theses day
most of the directors use montage in their films.
10 Insane Ways Movies Have Influenced Real Life
We all go to the movies to be entertained and to escape to
another world for 100-or-so minutes – that…
Shaun Munro
CONTRIBUTOR
40k views
We all go to the movies to be entertained and to escape to
another world for 100-or-so minutes – that is the allure of cinema (especially
blockbuster cinema), to show us things that typically aren’t possible in real
life, while allowing us to safely return to our cushy lives once the lights go
up and the credits roll.
However, some movies have managed to have a far more
pervasive effect either on society or particular individuals, permeating beyond
the cinema screen and lodging so firmly in our minds that it affects our waking
behaviour.
From the innocuous to the fatal, here are 10 cases in which
movies perpetuated scandals and fascinating social trends, proving beyond any
doubt the power of the medium to do both good and bad when shone in the eyes of
right (or wrong) minded individuals…
10. Fight Club Causes Real Fight Clubs To Start Up
Fight Club
The Movie: David Fincher’s modern masterpiece features a
young man (Edward Norton) joining an underground fight club to vent his
middle-class, white male frustrations.
The Reality: The movie clearly resonated with a lot of angry
young men, and the result was that, just as fight clubs began to bloom by the
dozen in the movie, so too did they in real life. Reports online detail fight
clubs being organised on Craigslist in San Francisco that follow precisely the
same rules as the one in the movie; there’s no spectators beyond those waiting
for their own fight, and if you turn up to a fight club, you have to fight.
Other Californian fight clubs have their own rules that
splinter away from Tyler Durden’s philosophy; some allow spectators, some allow
weapons, and the more illegal kinds involve teenagers, who are not able to
consent to such harm.
However, the injuries that are likely to occur from even
adult fighters will still draw attention from the cops, which is exactly what a
secret underground fighting organisation doesn’t want, so fighters will
reportedly often nurse their own wounds, as is not to be advised.
Tunisia attack: The British victims
- 10 July 2015
- UK
Thirty of the 38 people killed by a gunman on a Tunisian beach were British. The dead Britons have all been returned to the UK, and many of their families have paid tribute to them
Carly Lovett
Carly Lovett was a 24-year-old beauty blogger and photographer from Gainsborough in Lincolnshire.
"Carly was and always will be our beautiful shining light," her parents Joanne and Kev, fiance Liam and other family members said.
"She was funny, clever, artistic and radiated love and happiness around her.
"Carly recently got engaged to Liam, her childhood sweetheart of 10 years. Both were excited and looking forward to a bright future together filled with love and happiness. This has now been cruelly taken away."
The family added: "Carly, may you soar with the angels and we pray with all our hearts that this evil, and such disregard for human life, will end so no other family will feel the pain that we do today and always will."
Ms Lovett was a graduate of Lincoln University and, according to reports in the local press, worked for an e-commerce company called Fizzco Ltd in Fillingham near Gainsborough.
According to the Daily Mirror, she was killed by a grenade during the attack.
http://www.bbc.co.uk/news/uk-33300776
kick starter
Kickstarter helps artists,
musicians, filmmakers, designers, and other creators find the resources and
support they need to make their ideas a reality. To date, tens of thousands of
creative projects — big and small — have come to life with the support of the
Kickstarter community.[1]
Kickstarter is known across the worldwide as known for creative project also
allow artist, filmmakers, developer and creators to use Kickstarter [2]
Before you can start filling out details about your campaign, you need to set up an account with Kickstarter. Simply follow these steps:
- On the top of the main Kickstarter page, locate and click the blue Start link.You’re taken to a brief video on how Kickstarter works.
- If you haven’t already, click Play in the middle of the video screen to review the introductory video.
- After watching the video, click the green Start Your Project button and click Continue to verify that you meet the eligibility requirements for Kickstarter.The requirements are listed on screen. On the resulting page is where you set up your user name and password, or login if you already have a Kickstarter account.
- Set up your user name and password or log in using an existing account.You can set up a user name and password unique to Kickstarter or log in with Facebook Connect.While setting up your Kickstarter campaign using Facebook Connect might save a few steps, you would be better off creating your own unique Kickstarter login and account. You will have the opportunity to link your individual campaign to your Facebook account later, so you can link it there if you choose to use Facebook to promote your campaign.Using Facebook Connect to set up your Kickstarter account means your Facebook account is linked to everything you do on Kickstarter, as opposed to being able to promote and link to a specific campaign. Kickstarter allows you to create multiple campaigns off of one login; you may not want to link every campaign to your Facebook page if you end up doing more than one Kickstarter project.
- If you set up a user name and password unique to Kickstarter:
- Determine which e-mail address you’d like to use to manage your Kickstarter campaign and a public user name -- Ideally your real name so friends, family and associates can search for you even if they don’t know the official name of your project.
- If you use Facebook Connect: Enter the same login information you use for your Facebook account. Kickstarter prompts you to set up a password that’s unique to your Kickstarter account.
When you’re done, you move onto the guidelines page. - If you haven’t already done so, read the entire Project Guidelines carefully.You want to review the prohibited uses to ensure you don’t spend time building a project that will not get approved. For example, fundraising for your favorite charity - or promoting a product that is so outrageous that it will likely never come to fruition - will probably be rejected.
- After you acknowledge the Project Guidelines as prompted, click Start Your Project again.Kickstarter directs you to your project dashboard that shows several steps to get your project profile up and running.The Guidelines tab on the left gives you quick access to the Kickstarter guidelines at any time. The Preview option at the far right enables you to see how your campaign will look to potential backers on the Kickstarter website after your campaign launches.Six tabs correlate to the various steps of setting up your campaign in Kickstarter:
- Basics
- Rewards
- Story
- About You
- Account
- Review
www.dummies.com/how-to/.../how-to-set-up-your-kickstarter-account.ht...
How does Kickstarter work?
Thousands of projects are funding on Kickstarter at any given moment. Each project is independently created and crafted by the person behind it. The filmmakers, musicians, artists, and designers you see on Kickstarter have complete control and responsibility over their projects. They spend weeks building their project pages, shooting their videos, and brainstorming what rewards to offer backers. When they feel ready, a creator can launch their project on the site and share it with their community.Every project creator sets their project's funding goal and deadline. If people like the project, they can pledge money to make it happen. If the project succeeds in reaching its funding goal, all backers' credit cards are charged when time expires. If the project falls short, no one is charged. Funding on Kickstarter is all-or-nothing.What is Kickstarter for?
Everything on Kickstarter must be a project. A project has a clear goal, like making an album, a book, or a work of art. A project will eventually be completed, and something will be produced by it.Kickstarter does not allow projects to fundraise for charity or offer financial incentives. Check out our rules for details.Why is funding all-or-nothing?
All-or-nothing funding is a core part of Kickstarter and it has a number of advantages:It's less risk for everyone. If you need $5,000, it's tough having $1,000 and a bunch of people expecting you to complete a $5,000 project.What are the fees?
If a project is successfully funded, Kickstarter applies a 5% fee to the funds collected. Our payments processor will also apply payment processing fees (roughly 3-5%). The complete fee breakdowns are available here.- If funding isn't successful, there are no fees.
https://www.kickstarter.com/help/faq/kickstarter%20basics
Annotation: I think this website is useful to use because it is open for creative people in the industry that are trying to make their work known whether if they are artist,filmmakers, developer and creators. So in my situation as young filmmaker this would be a good starting point to make my work know in the world. also kick started allows other people across the world to view my work and others.
Man of Steel
Storyline
A young boy learns that he has extraordinary powers and is not
of this Earth. As a young man, he journeys to discover where he came from and what he was sent here to do. But the
hero in him must emerge if he is to save the world
from annihilation and become
the symbol of hope for all mankind. Written by Warner Bros. Pictures
User reviews
Man of Steel is great.11 June
2013 | by gamerzach7 (United States) – See all my reviews
I have never been a hardcore
superman fan, but I was fortunate enough to see an early showing of Zack
Snyder's reboot. And I must say, I am quite impressed. Casual moviegoers and superhero
fans will find something to enjoy. Man of Steel has great wreck- everything
action that makes full use of 3D effects and simply looks awesome. The story is
decently paced, and fueled by strong performances by Michael Shannon and
Russell Crow(e).
459 of 848 people that found
this review helpful.
Budget $225,000,00 (estimated)
Opening weekend $116,619,362 (USA)
Gross $291,021,565
Avengers: Age of Ultron
Storyline
When Tony Stark tries to jumpstart a dormant peacekeeping program,
things go awry and Earth's Mightiest
Heroes, including Iron Man, Captain America, Thor, the Incredible Hulk, Black
Widow and Hawkeye, are put to the ultimate test as the fate of the planet hangs
in the balance. As the villainous Ultron emerges, it is up to the Avengers to stop him from
enacting his terrible plans, and soon uneasy alliances and unexpected
action pave the way for a global
adventure. Written by
Marvel Studios
User Reviews
Impressive Special Effects
and Cast6 September 2015 | by Claudio Carvalho (Rio de Janeiro, Brazil) – See
all my reviews
The Avengers raid a Hydra
base in Sokovia commanded by Strucker and they retrieve Loki's scepter. They
also discover that Strucker had been conducting experiments with the orphan
twins Pietro Maximoff (Aaron Taylor-Johnson), who has super speed, and Wanda
Maximoff (Elizabeth Olsen), who can control minds and project energy. Tony
Stark (Robert Downey Jr.) discovers an Artificial Intelligence in the scepter
and convinces Bruce Banner (Mark Ruffalo) to secretly help him to transfer the
A.I. to his Ultron defense system. However, the Ultron understands that is
necessary to annihilate mankind to save the planet, attacks the Avengers and
flees to Sokovia with the scepter. He builds an armature for self-protection
and robots for his army and teams up with the twins. The Avengers go to Clinton
Barton's house to recover, but out of the blue, Nick Fury (Samuel L. Jackson)
arrives and convinces them to fight against Ultron. Will they succeed?
"Avengers: Age of
Ultron" is an entertaining adventure with impressive special effects and
cast. The storyline might be better, since most of the characters do not show
any chemistry. However, it is worthwhile watching this film since the amazing
special effects are not possible to be described in words. Why Pietro has to
die is also not possible to be explained. My vote is eight.
Title (Brazil):
"Vingadores: Era de Ultron" ("Avengers: Age of Ultron")
Budget $250,000,000 (estimated)
Opening weekend $191,271,109 (USA)
Gross $458,991,559
43 of 80 people found this
review helpful
Ouija
Storyline
A girl is mysteriously killed after recording herself playing with an
ancient Ouija Board, which leads to a close group of friends to investigate this board. They later find out that some things aren't meant to be played with,
especially the 'other side'.
Written by Marco
User Reviews
Unoriginal Even in the Title:
27 February 2015 | by Claudio Carvalho (Rio de Janeiro, Brazil) – See all my
reviews
After the death of her best
friend Debbie (Shelley Hennig) that committed suicide, Laine (Olivia Cooke)
brings her sister Sarah (Ana Coto) and convinces her friends Trevor (Daren
Kagasoff), Isabelle (Bianca Santos) and Pete (Douglas Smith) to perform a
séance using a Ouija board. However they unleash evil spirits that threat them.
"Ouija" is
unoriginal movie even in the title since there are many "Ouija"
movies. I do not recall how many movies that I have seen with the same
storyline, where a group of teens or even adults that use a Ouija board or a
séance to accidentally awake evil spirits. The story is boring, the acting of
Olivia Cooke is weak for a lead actress and the screenplay does not help. The
plot point of this forgettable movie does not have anything special. My vote is
four.
Title (Brazil): "Ouija:
O Jogo dos EspÃritos" ("Ouija: The Game of the Spirits")
9 of 15 people found this
review helpful.
Budget $5,000,000 (estimated)
Opening weekend $20,006,00
Gross $50,820,940 (USA)
Annotation: This was good website because it has all the information that has ideas on how much the film cost overall and some comments of viewer that has watch the film which could help the person that has not seen the films to have an idea on how is going to be. It also gives a short overall statement on what the films is about. Which is good idea because if a person has no idea on what film is base on the can have quick scan on this website to see what the film is about.
Film regulation/certification
In all films that are produced have to go through a stage of
getting examined by BBCF which stands for British Board of Films Classification
which also known as age rating, this is because it makes it safer for audience
to watch.
Films for
theatrical release are normally classified by at least two Examiners
using the published
Guidelines. In most
cases the decision is ratified by a Senior Examiner, but if the Examiners
are in any doubt or fail to
agree, or if important policy
issues are involved, the work may be seen by other members of the Board up to, and
including, the Director and
Presidential team.[1]
Examiners
look at issues such as discrimination, drugs, horror, imitable behaviour, language, nudity, sex,
sexual violence, theme and violence when making decisions. They also
consider context, the tone and impact of a work (eg how it makes the audience
feel) and even the release format (for example, as DVDs are watched in the
home, there is a higher risk of underage viewing).[2]
When rating any film they look at U, PG, 12A, 12, 15, 18
and R18
Annotation: This is a really good website to use when coming to film in because you can get an idea on what you film would bee aiming at also, seeing what ideas that you can include to make it appropriate age for target audience to watch. Also in every film that is produce in Britain would be examined to BBCF to see if the film is suitable for your target audience. so in my case this good website to use as young filmmakers its good to know all of the age rates and what different section include to make them higher or lower than other age rates.
Welcome to the BBFC Case Studies. They are all written by BBFC staff and explore how and why works were rated, cut or even banned.
The film Case Studies tell you why we did what we did and offer background information that you won’t find anywhere else. Find out why some films and BBFC decisions were discussed in the news media, what works were complained about, and which ratings were praised. You can also browse our From The Archive studies which showcase fascinating historical artefacts from our archives and listen to our hugely popular Podcasts.
Some like A Clockwork Orange are works you will definitely have heard of. Others like Freaks are lesser known but important films. And some are films like Juno and Fight Club that you might have seen but had no idea they caused a stir when submitted to the BBFC. We provide Case Studies for all films we introduce as part of our longstanding relationship with Film Education’s National Schools Film Week. Though we no longer rate video games there are some video games case studies which should offer an historical view of how we treated some well-known video games.
We regularly update the Case Studies, and add new titles several times a year. We welcome suggestions for new Case Studies, but, as each one takes a while to research and write, we prioritise requests. You can email us to suggest a Case Study.
If you are researching a specific title and would like access to the BBFC's paper file archive this may be possible depending on the age of the work. You can request access to our archive in Education resources.
http://www.bbfc.co.uk/case-studies/case-studies/from-archive
AGE RATING FOR 15
What does the 15 symbol mean?
No-one
under 15 is allowed to see a 15 film at the cinema or buy/rent a 15 rated
video. 15 rated works are not suitable for children under 15 years of
age.
Are there any limits on what sort of theme a work can have
at 15?
No theme is
prohibited, provided the treatment is appropriate for 15 year olds.
What might I see in a 15 rated film or video?
Any of the following:
strong violence
frequent strong language (e.g. 'f***').
portrayals of sexual activity
strong verbal references to sex
sexual nudity
brief scenes of sexual violence or verbal
references to sexual violence
discriminatory language or behaviour
drug taking
How much strong language is allowed in a 15?
There could potentially be a great deal. At 15 there is no
upper limit on the number of uses
of strong language (e.g. ‘f***’).
Occasionally there may be uses of the strongest terms (e.g. 'c***'),
depending on the manner in which they are used, who is using the
language, its frequency and any special contextual justification. However,
continued or aggressive use will not normally be passed 15.
What about discriminatory or offensive terms?
There may
be racist, homophobic or other discriminatory language, and the work
could explore themes relating to this.
However, at 15 the work as a whole must not endorse
discriminatory language or behaviour.
How much sex and nudity is allowed at 15?
At 15
sexual activity can be portrayed, but usually without strong detail. Some sex
scenes can be quite long at this category.
Though nudity
may be allowed in a sexual context there will usually be no strong detail. There are no
constraints on nudity in a non-sexual or educational context.
There can be strong references to sex and sexual behaviour,
but especially strong or crude
references are unlikely to be acceptable unless justified by context.
Sex and sex references are treated the same irrespective of
sexuality
Can there be strong violence?
Yes, at 15 violence may be strong. It should not dwell on the infliction of pain or
injury, however, and the strongest gory images are unlikely to be acceptable.
Strong
sadistic violence is also unlikely to be acceptable.
What about sexual violence?
There may
be detailed verbal references to sexual violence (for example descriptions of rape or sexual
assault in a courtroom scene or in victim testimony) but any portrayal depiction of sexual violence must be discreet
and justified by context.
What about horror works?
At 15 there
can be strong threat and horror as long as there is no sustained focus on sadistic or sexualised threat.
Can you see drugs in a 15 rated film or video?
At 15 drug
taking may be shown but the work as a whole must not promote or encourage drug
misuse (for example, through instructional detail).
The misuse of easily accessible and highly dangerous substances like aerosols or
solvents is unlikely to be acceptable at 15.
What about dangerous behaviour or things teens might copy?
We consider
the risk of potential harm to impressionable teenagers. For example, dangerous behaviour such as hanging,
suicide and self-harming should not dwell on detail which could be copied.
Whether the depiction of easily accessible weapons is acceptable will depend on
factors such as realism, context and setting.
How can I find out more about a specific 15 film?
Please check the BBFCinsight for the film or video you are
thinking of watching. You may find BBFCinsight on this website or on our free
App as well as on film posters, DVD and Blu-ray packaging, and on some
listings. You will also find it attached to some film and video content which
is available to download. It provides comprehensive information on exactly why
a film or video has been given a particular category. All the issues are
discussed in detail and parents in particular can use this information to make
informed decisions when choosing viewing material for their children.
http://www.bbfc.co.uk/what-classification/15
AGE RATING FOR 18
What does the 18 symbol mean?
Films rated
18 are for adults. No-one under 18 is allowed to see an 18 film at the cinema
or buy / rent an 18 rated video. No 18 rated works are suitable for children.
Are there any limits on what sort of theme a work can have
at 18?
No theme is
prohibited at 18. Adults
are free to choose their own entertainment provided the material is not illegal
or potentially harmful, so it is possible some themes tackled at 18 may be offensive even to some
adult viewers.
What sort of issues might I find in an 18 film or video?
18 works are for adults and can contain strong issues such
as:
very strong violence
frequent strong language (e.g. 'f***') and /
or very strong language (e.g. ‘c***’)
strong portrayals of sexual activity
scenes of sexual violence
strong horror
strong blood and gore
real sex (in some circumstances)
discriminatory language and
behaviour
How much strong language can there be in an 18?
There is no
limit on the number of uses of strong (e.g. 'f***') or even very strong
language (e.g. ‘c***’) which can be passed at 18. Uses could be aggressive, directed,
frequent or accompanied by strong violence.
What about discriminatory terms?
There may
be racist, homophobic or other discriminatory language at 18, and the work could explore themes
relating to discrimination.
Though a work as a whole must not be in breach of any
relevant legislation, it is possible for discriminatory language or themes to
be the main focus of the work, and for main characters to engage in
discriminatory behaviour.
How much sex and nudity is allowed at 18?
There can
be strong and detailed portrayals of sex at 18, including full nudity. There are no constraints on nudity in a
non-sexual or educational context.
Very
strong, crude and explicit sex references are permitted at 18.
An 18 film
or video might also contain depictions of real sex, as long as the film or
video is not a sex work.
What are sex works?
Sex works are works whose primary purpose is sexual arousal
or stimulation. Sex works containing only material which may be simulated are
generally passed 18. Those containing clear images of real sex, strong fetish
material, sexually explicit animated images, or other very strong sexual images
will be confined to the R18 category. Material which is unacceptable in a sex
work at R18 is also unacceptable in a sex work at 18.
What about sex education films?
Where sex material genuinely seeks to inform and educate in matters
such as human sexuality or safer sex and health, explicit images of sexual
activity may be permitted.
Can there be strong violence?
Yes, at 18
violence can be strong and be portrayed with strong detail. There may
even be dwelling on the infliction of pain or injury, or scenes of strong
sadistic or sexual violence.
The
strongest gory images are permitted at this category.
What about horror films?
At 18,
horror films may contain very strong horror, gore or sustained threat.
Can you see drugs in an 18?
Yes. At 18
drug taking may be shown but the work as a whole must not promote or encourage
drug misuse.
What about dangerous behaviour or things teens or other
viewers might copy?
Though 18
films and videos may cover difficult and strong subjects and themes, harm is
still a consideration. Very dangerous or criminal behaviour (for
example, behaviour which if
copied poses a credible harm risk) may be cut.
If adults can watch what they want, what might be cut from
an 18 work?
In line with the consistent findings of the BBFC’s public consultations and
The Human Rights Act 1998, the BBFC will not normally override the principle
that adults should be free to choose their own entertainment.
However, cuts are occasionally made to 18 rated films and
DVDs. Intervention is most likely in the following areas:
where the material
is in breach of the criminal law, or has been created through the commission of
a criminal offence
where material or treatment appears
to us to risks harm to individuals or, through their behaviour, to society –
for example, any detailed portrayal of violent or dangerous acts, or of illegal
drug use, which may cause harm to public health or morals. This may
include portrayals of sexual violence which might, for example, make rape look
appealing, reinforce the suggestion that victims enjoy sexual violence or which
invite viewer complicity in sexual violence
where there are more explicit images of sexual
activity which cannot be justified by context. Such images may be appropriate in
R18 works and, in ‘sex works’, would normally be confined to that category.
In the case of video works, which may be more accessible to
younger viewers, intervention may be more frequent than for cinema films.
How can I find out more about a specific 18 film?
Please check the BBFCinsight for the film or video you are
thinking of watching. You may find BBFCinsight on this website or on our free
App as well as on film posters, DVD and Blu-ray packaging, and on some
listings. You will also find it attached to some film and video content which
is available to download. It provides comprehensive information on exactly why
a film or video has been given a particular category. All the issues are
discussed in detail and parents in particular can use this information to make
informed decisions when choosing viewing material for their children.
http://www.bbfc.co.uk/what-classification/18
Annotation: This is a really good website to use when coming to film in because you can get an idea on what you film would bee aiming at also, seeing what ideas that you can include to make it appropriate age for target audience to watch. Also in every film that is produce in Britain would be examined to BBCF to see if the film is suitable for your target audience. so in my case this good website to use as young filmmakers its good to know all of the age rates and what different section include to make them higher or lower than other age rates.
Distribution and short film festival
Encounters Festival:
Encounters
Festival is the UK’s leading short film and animation festival and annual
meeting place for new, emerging and established filmmakers and industry professionals. Providing a single
platform for celebrating talent and innovation, Encounters Festival presents an
annual International Competition, Industry Programme and an inspiring
selection of screenings, events and parties during the festival week in Bristol, UK.[1]
London Short Film
Festival:
LSFF is an
annual event that presents the best in UK short film-making talent. For
a couple of weeks in January we take over London’s best independent cinemas and
venues to showcase some amazing short films.
The London
Short Film Festival, now in its 13th year, has been recognised as the premiere
UK showcase for cutting-edge UK independent film, while now accepting
international submissions.
Renowned for daring cross-arts programming, we have
showcased the very best of the country’s raw talent for 12 years. The London Short Film Festival is a
Mecca for the UK’s young
creative talent and a significant date in the UK film calender.[2]
Submissions are now OPEN for the 13th London Short Film Festival (8 - 17 Jan 2016)
We are open for UK and international submissions.
Fees and deadlines:
UK films early bird deadline 10th May - £15
UK films regular deadline 31st July - £20
UK films late deadline 1st September £25
Lo-budget UK films under 5 minutes - £5 (all deadlines)
International submissions (films made and produced outside of the UK) - £25 (all deadlines)
Sign up to submit your films today!
To qualify for the festival your film must be completed after August 2014 and be under 45 minutes in length.
Lo-budget films must cost less than £500 to produce and be under 5 minutes long. International films made and produced outside of the UK can only be submitted through the International Category (i.e not through Lo-Budget or other deadlines)
https://flock.am/login/?next=/dash/
The BAFTA
The BAFTA
Qualifying Aesthetica Short Film Festival (ASFF) is a celebration of
independent short film from around the world. It supports emerging and established filmmakers by giving
them a platform to showcase their work. Films screened at the festival
are also eligible to enter the BAFTA British Short Film and Animation Awards.
ASFF 2016 will run from 3 to 6 November in York, UK. The
festival takes place in 15 distinct locations, transforming the city into a
dynamic multi-venue cinema. It invites you to explore a range of genres:
advertising, animation, artists’ film, comedy, dance, documentary, drama,
experimental, fashion, music video and thriller, plus guest programmes.[3]
Annotation: I this are really useful website since at the end of year hopeful i would send my film off to one of these film festival. Also, i think it good to know what other festival is out their because in the future you would sign up for film festival. For me i would the film festival that would benefit me is 'London Short Film Festival' because it close for me and i live around that area. Also it would cost me less because i would filmed my film in London which if i have not done it would cost me more.
Annotation: I this are really useful website since at the end of year hopeful i would send my film off to one of these film festival. Also, i think it good to know what other festival is out their because in the future you would sign up for film festival. For me i would the film festival that would benefit me is 'London Short Film Festival' because it close for me and i live around that area. Also it would cost me less because i would filmed my film in London which if i have not done it would cost me more.
Platforms for distribution
There are some website that
you can stream of watch films on this is called Platforms for distribution.
This when you can watch all types of movies its horror, Thriller, comedy or
action on one website, it also can cost money but some of them or free. Here
are the followings:
Netflix: Netflix is a website where you can
watch the lasted films whether its TV shows, series or documentary. Which also
is most lead successful networking site around 85 million or more use on a
regular bases. Also Netflix
allows customers to watch films, TV shows and documentary anywhere and at any
time due the internet connection.
How to get your movie onto Netflix
While recognizing that getting an independent movie on Netflix isn’t the only goal you should focus on when emerging from your producing MFA with film in hand, it can be a massive factor in your project’s success.
Here’s how to get your independent movie on Netflix, and some pitfalls you should be mindful of in the process.
It’s All About the Database
It probably won’t come as a surprise to hear you can’t just email someone at Netflix and ask them to pop your work on the homepage. Getting your independent movie on Netflix starts with one key step, and unfortunately it’s a step you have very little control of: get on the Netflix database.
The Netflix database can be considered a long list of movies they’re considering for inclusion. How do you get on the Netflix database?
You don’t. They decide.
Unless you have some serious contacts in and around the Netflix arena, your odds are against you but some third party distributors have inroads. Getting one of these distributors on board, however, presents its own challenges and, somewhat ironically, video streaming itself is killing your chance of getting on Netflix—with DVD sales through the floor, distributors are reluctant to take on independent movies in this market since the returns from Netflix are so low.
Now, that’s the depressing news out of the way. There is an indie distribution company (owned by IndieGoGo) that can help get your independent movie on Netflix and all of the other major streaming services: Distribber.
Distribber does charge a fee of up to $1,600, but you keep all rights to your movie as well as 100% of the revenue it goes on to make.
Next Step: Raise an Army
Assuming you’ve made it onto the Netflix database (congratulations), you’ll need to prove there’s demand for your independent movie. In order to demonstrate this, people will have to request the movie in their Netflix queue (known as the ‘queue demand’).
It’ll behoove you to do a big marketing push and ask literally everyone you know to do this; not only will it improve your chances of getting your independent movie on Netflix, but it’ll also increase the amount you’ll get for it if and when they make you an offer.
How Does the Money Work, Anyway?
Unlike most of the other platforms, Netflix doesn’t pay you per view since it isn’t contingent on ad revenue. Instead, it pays you a one-off fee for a license (usually lasting one or two years) to stream your movie to an unlimited audience.
How much will this be? This is anyone’s guess, since it depends hugely on the demand (see above), but it’s usually less that you’d hoped for. Expect a four figure deal, and praise the stars if you get five figures.
Increase Your Chances
While the queue demand appears to be the biggest factor for success in Netflix’s nebulous decision process, there is some evidence to suggest other considerations are made. A legitimate IMDB listing, a great score on Rotten Tomatoes, and wide press coverage may help get your independent movie on Netflix, and should be on your to-do list regardless.
The Bigger Picture
A wise approach to film distribution is to remove any and every barrier to entry between your movie and a potential viewer as possible, and you need a very good reason not to do this.
BBCF REGUALTION WITH NETFLIX
BBFC has persuasion job over online ratings
Online-only shows, such as Netflix's House of Cards, are not
legally covered by BBFC ratings so the organisation is on a mission to
persuade. By Christopher
Williams, Technology Correspondent7:41AM GMT 14 Mar 2013
"That is the family silver for us," said Mark
Dawson, chief digital officer for the British Board of Film Classification, as
he discussed the way the organisation's ratings logos - 18, PG, U - have
embedded themselves in public consciousness.
Everyone knows what the ratings mean, and according to the
BBFC's research at least, almost everyone agrees with its assessment of what it
is appropriate for young people to watch.
"We just implement the guidelines, which are set by public
consultation," said Mr Dawson.
In cinemas
and shops, the judgment of the BBFC's classifiers is protected by law.
The 1984 Video Recordings Act and insists that it gives an age rating to all
commercially distributed films.
At the time this meant cinema and video, and because of the
way the law was written, it still does. The MPs of 1984, stirred by the
"video nasty" furore, legislated without the benefit of technological
clairvoyance. Their definitions were broad enough to cover DVDs or even films
loaded on USB sticks, but not a world where digital downloads from iTunes, or
streaming from Netflix or Amazon's LoveFilm are rapidly usurping "packaged
media".
Related Articles
The internet renders our children clueless 13 Apr 2013
Netflix experiment is paying off 08 Feb 2013
House of Cards: has the future of TV arrived? 12 Feb 2013
Netflix wins 'first run' Disney film rights 05 Dec 2012
A career in coding: do you speak code? Sponsored by Makers
Academy
Mr Dawson's
task is to make sure the BBFC's family silver maintains its value as the film
industry migrates online.
Without
statutory backup, his is a job of persuasion. He must persuade film companies
and the big digital retailers and services to pay for their creations to be
classified for online consumption (as well as cinema and DVD) and to show the
BBFC rating and incorporate it into login controls so parents maintain their
trust in the system.
Progress has been made. Some 250,000 films have now been been classified for online
consumption and major players such as BT Vision and Netflix are using the
ratings.
The BBFC is
particularly pleased that Netflix submitted its hit Washington-based remake of
House of Cards for classification. Made for the internet, and released
as 13 episodes simultaneously last month, it was widely seen as the start of an
important trend in entertainment. The BBFC gave all the episodes a 15 rating, except one, which featured a
graphic suicide and got an 18.
"We're not about censorship and haven't been for a long
time," said Mr Dawson. "We're about giving people the information
they need."
Netflix will surely test that claim later this year when it
debuts Hemlock Grove, another exclusive, created by Eli Roth. The director is best known as the
founder of the "torture porn" genre with his sadistic 2006 horror
film Hostel. Subsequent imitators 2009's Grotesque and 2011's Human Centipede
2, were both refused any classification.
Theoretically, if Netflix's adventure in original content produce something so
distasteful the BBFC does not award a classification, it could simply go ahead
and distribute it anyway.
"If
self regulation doesn't work then there is the possibility of new
legislation," said Mr Dawson, "it would take changing two words in
the law."
He strongly emphasises, however, that the BBFC is not seeking and would not seek new
powers to regulate internet firms and that the government supports its attempt
to bring the online industry on board voluntarily.
To prove it
can work, the BBFC needs to persuade Apple and Amazon, the dominant forces in
internet film distribution, to use respect and display its ratings.
Amazon Prime: Amazon Prime offers a plethora of services from groceries to
music, TV shows, films and 800,000 e-books for a set monthly fee. Unlimited
one-day delivery on your Amazon orders in the UK. Unlimited video streaming of
15,000 TV shows and movies through Amazon Prime Instant Video (formerly LoveFilm) Access to Amazon's music library,
with unlimited downloads and streams Prime Photos for unlimited photo storage
on Amazon Cloud Drive. You also get 5GB of cloud storage for other types of
files.[4]
Show box: Show
Box is a free movies and TV shows streaming app for the Android. It is regarded
as one of the best free Android apps as it allows users to watch movies in HD
for free. Show Box is not available in the Google Play store so users will need
to side load it to the device. This allows you to watch and play any
movie for free but can only work on certain foods such as Samsung, Android and
tablet. Also like Netflix when you watch any film anywhere and at any time by
connect to the internet. [5]
Annotation: These are good website to look at platform for distribution because theses are all distribution website that have huge wide of population using their channel. By this it could benefit because i would have huge world range of people looking at my work. This means i could promote and market my films on famous platform distribution website such as Netflix because most watch films on their website. But is not going to be easy you have sign up for different company such as IndieGoGo or A legitimate IMDB listing which will help me get my own movie on Nextflix. It would cost a feed up $1,600 or more which quite a lot
This will limit my idea by having so much to think about such as what films i am going to base my idea open, whats my USP also think about all the steps i have to take to make a short thriller/ horror film to success. age rate of my film is going to be 12A moving to 15 because there is going to be violence in my short film.
This will limit my idea by having so much to think about such as what films i am going to base my idea open, whats my USP also think about all the steps i have to take to make a short thriller/ horror film to success. age rate of my film is going to be 12A moving to 15 because there is going to be violence in my short film.
Explain how this will limit, shape or affect your idea eg: what certificate will yours have to be because...
[1] http://encounters-festival.org.uk/
[2] http://shortfilms.org.uk/
[3] http://www.asff.co.uk/
[4] https://www.amazon.com/gp/help/customer/display.html?nodeId=200444160
[5] http://www.showbox-app.com/about-us
WT M
ReplyDeleteTo improve
Explain how this will limit, shape or affect your idea eg: what certificate will yours have to be because...
Real world influence ie News articles:
"Real world influence
In the world directors are influenced by other films that an director has produces for example, nearly all the directors based their on their community , lyrics or on true story. Also directors are influences by the techniques and the story behind" - no needs to be a collection of articles about this subject matter such as kidnapping stories
WT M1: when conducting research for assignments and reports learners will be able to select and review relevant and appropriate materials from a variety of different sources such as books, magazines, articles and the internet. Information extracted from these sources will be focused on the purpose of the research and will be recorded and summarised with precision and accuracy.
Unit 2.1 research
ReplyDeletepass
For m you need to summarise the relevance and validity of the research how it informs your idea - what is the new articles there for?
You need to annotate the research to show you have considered why it is signfifnact